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Marshall CODE Demo Uploaded

A fully connected digital suite, comprising Marshall CODE, Marshall Gateway app and the MyMarshall website.

Featuring 100 editable presets, filled with classic and contemporary Marshall tones, find out more about Marshall CODE at marshallamps.com/code.

Fully programmable, CODE combines authentic modelling of classic and contemporary Marshall tones with professional quality FX. CODE preamp, power amp and speaker cabinet models have been developed in collaboration with audio software pioneers Softube to create Marshall-Softube (MST) modelling, highly accurate recreations of classic and contemporary Marshall products and more.

CODE has 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets. It has 24 FX including: Compressor, classic stompbox Distortions, Auto Wah, Pitch Shifter, Chorus, Phaser, Flanger and Tremolo. It includes Delays with Tap Tempo, and studio quality Reverbs. CODE’s MST preamps produce some of the most acclaimed and best loved Marshall tones: JTM45 2245, 1962 Bluesbreaker, 1959SLP Plexi, JCM800 2203, JCM2555 Silver Jubilee, JCM2000 DSL100, JVM410H and more. CODE features EL34, 5881, EL84 & 6L6 MST power amps, and MST speaker cabinet models: 1960, 1960V, 1960AX, 1960HW, 1936, 1936V, 1912 & 1974X.

Connect via Bluetooth to control CODE and to stream music from your iOS or Android device using the Gateway App. Connect via USB to use CODE as a DAW interface to record, and to stream audio from you computer. Connect your MP3 player via CODE’s dedicated audio input to jam along with your favourite tracks or plug headphones in for a personal CODE experience. Connect CODE’s programmable footcontroller* to assign up to 30 Presets or control panel functions. *(PEDL-91009 – sold separately).

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Gear Music Recording Top Stories

Neve 5088 @ Willie Nelson’s Pedernales Recording Studio w/ Steve Chadie

Steve Chadie is the Chief Engineer at Willie Nelson’s Pedernales Recording Studio, located just outside of Austin, TX. Recently, Chadie talked about the studio’s new Neve 5088, riding faders while tracking Willie, and more. The interview has been embedded below.

The 5088 is a culmination of Mr. Rupert Neve’s vast analogue circuitry knowledge. As his first fully discrete mixing design in over 30 years, the 5088 incorporates and improves upon many of the same concepts, such as the single-sided, fully discrete amplification and complete transformer isolation that made his original designs so revered – except unlike many of those aging classics, maintenance is no longer a full time job.

Sound Without Compromise
To stay current in the recording business you must be able to continuously adapt your environment to the needs at hand. Because the 5088 is completely modular, channel strips and Portico processing modules like EQ, microphone preamplification and dynamics can be added or removed to meet constantly changing demands and eliminate the massive redundancies of consoles from yesteryear. If you don’t need it, your console doesn’t need it either.

The Input Channel
5088-Channel Description Beyond its exceptional sound quality, the 5088 channel strip is designed to effectively handle multiple normalled sources, creating master, group and aux mixes with great efficiency. With 8 auxes, 8 “Groups”, “Solo”, “Mute”, “Send Follows Pan”, “Aux to Group”, a transformer coupled direct out and optional motorized fader automation on each channel, even the most complex mixes are within reach.
The Stereo Input Channel
Stereo Channel description In lieu of mono input channels with selectable Line 1 / Line 2 Inputs, Stereo Input Channels can be fitted to increase the channel count without having to add an expansion chassis. The Stereo Module has all of the group sends, six auxes, stereo width control, and individual trims and pans for each channel.

The Group Channel
Group Channel DescriptionWith 4 pairs of FX returns and aux master controls, alongside high-quality 100mm faders, direct outs and transformer-coupled inserts for each of the 8 mix groups, the group master section provides the medium to control 4 stereo stem mixes while tying together an entire array of channel strips. If necessary, the insert returns and stereo FX returns can be used as an additional 16 inputs for summing.
The Monitor Master
shelford-monitor-section-description-sqThe monitor master section has 6 source selections, 3 transformer-coupled speaker outputs, talkback, oscillator controls, 2 VU meters, stereo inserts, stereo level and control room master level. As with the the channel and group modules, anodized aluminum knobs provide the solid feel and response needed for precise adjustments.

SwiftMix™ Automation
swiftmix-iconBuilt around state-of-the-art motorized faders and DAW control over ethernet, SwiftMix combines the accuracy and convenience of digital automation with the unrivaled analogue sound of the Rupert Neve Designs 5088 Console.

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Music Recording Tech Top Stories

Avid Connect 2018 in Las Vegas, Wynn, Register, Directions

The annual gathering of the Avid Customer Association (ACA). Avid Connect is a unique industry event that brings together hundreds of media industry leaders, technologists and creative professionals from all over the world to explore new ideas, strengthen their knowledge, expand their network and prepare for the year ahead.

Register

The fifth annual Avid Connect 2018 event takes place at the Wynn in Las Vegas (directions can be found below).

New announcements, network with media pros, attend breakout sessions and help push the limits of the media industry even further.

2017 Recap

Avid Connect 2017, the fourth annual Connect event brought 1,300 attendees from over 44 countries and nearly 600 organizations.

During the opening 2017 session, Louis Hernandez, Jr. shared a number of key announcements, from the launch of Media Composer | First and the native integration of Dolby Atmos in Pro Tools to new services on our industry-leading MediaCentral Platform. But the high point of the morning came when Louis unveiled a strategic partnership that was months in the making—a partnership with Microsoft to help bring Avid Everywhere into the cloud.

Throughout the rest of Avid Connect, attendees participated in over 30 breakout sessions across three tracks covering all segments of the industry. Each session drew a crowd, with many standing room only, and every session was led by either an award-winning creative (Gravity, The Walking Dead, Transformers), innovative professional (Facebook, NBC, Al Jazeera), industry organization (IABM, TVNewsCheck, SVG), or industry expert.

Additional Avid Connect Highlights:

•Readout of the inaugural ACA Vote (Nearly 8,000 participants working with Avid to set the future direction of the industry)
•Keynote from Microsoft’s Scott Guthrie
•Keynote from Jonathan Perelman
•37 Sponsor organizations
•Evening & networking events that included social lounge areas, a pool party with a splash mob, electric violist, and cocktails in the exhibit hall.

Directions

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Gear Music Opportunities Recording Top Stories

SSL (Solid State Logic) Hiring Software & Hardware Developers

SSL (Solid State Logic): “Software & hardware developers, there are vacancies in SSL’s R&D team, visit http://www.solidstatelogic.com/jobs or talk to us at the #IBC (D83 Hall 8)”

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Gear Music Opportunities Recording Top Stories

Steve Albini Selling Mics Used to Record Nirvana’s ‘In Utero’

Steve Albini, recording engineer of many seminal records and owner of Electrical Audio, has three microphones he is looking to auction. The microphones, a Electro-Voice PL20 and two Lomo 19A9’s, have gained notoriety as they were used to record parts of Nirvana’s final record, In Utero. The Lomo 19A9’s were used as overheads for Dave Grohl’s drum tracks. One of the Lomos and the PL20 were used together for Kurt Cobain’s vocal sessions. As all three have become more like historical artifacts, as opposed to utilitarian microphones, Steve has decided to sell them to someone who will cherish and take care of them.

Albini’s first instinct was to offer the mics to the surviving members of Nirvana — Dave Grohl, Krist Novoselic, and Pat Smear — to see if they had some sort of repository of Nirvana memorabilia. All three musicians declined the offer and told Albini that he should sell them.

“They stopped being microphones and now they’re artifacts,” Albini said. “I feel like I should get them into the hands of somebody who would take care of them and not put them at risk in the hectic environment of a recording studio.”

Both auctions will begin on September 21st @ Reverb.com — the 24th anniversary of In Utero’s original release — and end on September 30th. The starting prices on both auctions will reflect current market prices for these models.

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Listen Music New Releases Recording Top Stories

VIDEO: Gary Numan Talks About His New Album

In the clip below, Gary Numan talks about the writing and recording process for his twenty-first studio album, Savage: Songs From A Broken World, out this Friday, September 15th.

Savage: Songs From A Broken World is a concept album centered around the blending of Western and Eastern cultures in a post-apocalyptic world that has become desertified as a result of global warming. “The songs are about the things that people do in such a harsh and terrifying environment,” Numan stated in an interview. “It’s about a desperate need to survive and they do awful things in order to do so, and some are haunted by what they’ve done. That desire to be forgiven, along with some discovered remnants of an old religious book, ultimately encourages religion to resurface, and it really goes downhill from there.”

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Listen Music New Releases Recording Top Stories

Daughter “All I Wanted” from Life is Strange: Before the Storm – Writing / Recording, Stream

Daughter recently scored ‘Life is Strange: Before the Storm,’ an episodic graphic adventure video game developed by Deck Nine. Titled Music from Before the Storm, the soundtrack was released digitally on September 1st.

The track “All I Wanted” has been embedded below.

Daughter’s Elena Tonra on “All I Wanted”:

This song was the last to be finished for the soundtrack. It was in scratchy demo form for a while as other songs and themes were more of a priority for us to get finished and ready for the first episode. This song was kind of an added extra, the whole song finished in a bit of a daze, I just let the song take it’s own shape. Layered a couple of bass lines and improvised the guitar parts and the vocals – a few things were re-recorded but a lot is pretty much first take.

“I wanted to create a song for Chloe whilst also thinking about my own time as a teenager. To me it speaks about those crushing feelings of embarrassment. It’s a song for friendship and a song for first loves. When someone you like is standing in your “stupid bedroom” – where suddenly everything you thought was cool in there just melts around you. Being a teenager can be a lonely time, it was for me in many ways but I also wanted the group vocals to feel a bit like the girl gang I had at school, all my lovely friends who pulled me out of that inner loneliness “It’s crucial that you see the truth when looking for yourself, not useless observations” was a little message that I would have given to Chloe if we were friends. It’s half a recreation of my teenage voice and half my adult voice looking back, observing the scenes.”

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Listen Music New Releases Recording Top Stories

Andrew Bird to Guest on Esperanza Spalding’s ‘Exposure’ – Facebook Live Album Event

Andrew Bird will be one of the musicians working with composer, vocalist and bassist Esperanza Spalding, on her new project.  Video of Bird’s official statement has been embedded below.

Titled Exposure, Spalding’s new album will feature music written and recorded in just 3 days, with the entire session being broadcast live, via Facebook, for a global audience. There will more musicians and “special guests” involved in the project as well.

The Facebook Live event takes place on September 12th at 12PM ET.

The live broadcast will begin on Esperanza Spalding’s Facebook page at 12PM ET on September 12th, and run for a consecutive 77 hours.

Once the cameras start rolling, the audience will witness every moment of Esperanza’s process, including her eating and taking breaks to sleep in the studio. A monitor will also capture and show Esperanza the comments from the live audience, allowing them to participate in the creative process. It will have the distinction of being the first album ever created entirely on Facebook Live, not just for an audience, but with an audience, for an unprecedented 77 hour live feed.

After the record is finished, a limited edition 7,777 CDs will be released. The packaging of each CD will include a piece of the original notepaper Esperanza will have used to write the lyrics and music, allowing those who witnessed the process to own a piece of the creation itself, directly from the source.

Esperanza says, “I foresee that creating before a live audience will add excitement and extra inspiration energy. Knowing someone is watching and listening to what you’re making seems to conjure up a sort of “can’t fail” energy, the necessity to keep going because it’s live draws up another depth of creative facility that can’t be reached when you know you can try again tomorrow.  Having such limited time to write and record will also force us to rely on improvisation and first instinct. Not allowing us time to judge, second guess, question, or alter the initial hits of inspiration that drive the creation of each song.”

Andrew Bird:

In the studio with Esperanza Spalding Tuesday, September 12 (2-5 PM) to record on her new album, Exposure.”