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Eddie Van Halen’s Gibson SG Used on “Dirty Movies” from ‘Fair Warning’ – 2022 – COOL AS CHIT HISTORY

Wolfgang Van Halen:

Pop played this SG on the slide part in Dirty Movies on Fair Warning. He loved the tone, but the lower horn of the guitar kept getting in the way… so he sawed it off.

…and you’ll hear it on the next Mammoth album 😊

Eddie Van Halen:

“Fair Warning is kind of a dark album. We started doing things my way, and we all kind of butted heads – me versus them. I remember sneaking down in the studio around four o’clock in the morning with Donn (Landee) and re-recording things the way I wanted them to be.

“The next day, they walked in and said, ‘Hey, that’s great! When did you do that?’ It was kind of a cheap thing to do, but I had to do something to get what I wanted.”

Michael Anthony on the ‘Fair Warning’ era:

There were times where Ed would spend a lot of time in the studio, him and Donn Landee. Sometimes they would even pull all-nighters or stay up for like two to three days. The thing that was starting to grow between us and Roth would eventually come to a head during the 1984 tour. That, plus the fact that Ted Templeman wanting to remake some songs and Ed wanting to do his own thing.

On Valerie Bertinelli:

You could always feel the tension in the room when those two (Roth & Bertinelli) were talking to each other. I mean, they got along, you could tell, and I know Dave was doing it for Ed’s sake. He didn’t want any tension within the band, but you could tell that something wasn’t right there.

Plus, Valerie, she’s very opinionated and very strong-willed. If she didn’t think something was right, like if Dave was wearing something, she’d go, “Yeah, I don’t think that looks right; you ought to tell Dave.”

Up to that point, we had been pretty passive with Dave as far as a lot of things concerning the band; the interviews and stuff like that. All of a sudden, Ed was going like, “Hey, Dave I don’t think…” blah, blah, blah. Dave knew that Valerie was a part of that, and I think that made the tension even worse.

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Gear Listen Music Recording Top Stories

EMT 140 Plate Reverb Plugin – Shootout – VIDEO – Vintage King

Vintage King: Engineers used to rely on microphone placement and echo chambers for reverb. But all of that changed when EMT built the first artificial reverb. –READ MORE

Watch the video below to listen to the shootout of The 45 Factory’s vintage EMT 140 Plate Reverb and a few of our favorite plug-ins.

In the early years of the recording studio, engineers had to rely on microphone placement and echo chambers to get the reverb that they desired for certain tracks. This all would change when the German company EMT built the first artificial reverb unit in 1957. Dubbed the EMT 140, this plate reverb would go on to become one of the most revered and often copied sounds in audio history.READ MORE

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Gear Guitars Instruction Listen Music Top Stories

Yngwie Malmsteen Installing Seymour Duncan YJM Fury Pickups – VIDEO

Yngwie Malmsteen: I do install them myself –

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Gus G. Blackfire Pickups Unboxing – Black Satin Proteus – Immortal

Gus G.: Blackfire Pickups unboxing!

The first batch of my Blackfire Pickups just arrived & I shot a quick unboxing video to show you the packaging and what you get when you order a set. I’m so happy with the quality of it all.

Order Blackfire Pickups

After designing several products with some of the biggest manufacturers in the business for years and releasing successful lines of signature products, I felt it’s time to take it to the next level and start my own company where I’d have total control and freedom over the creation of the products.

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Books Cool Chitz Gear Guitars Instruction Music Top Stories

Steve Stevens: “Everything I learned about electronics and guitar pedals was from this book.” Electronic Projects for Musicians

Steve Stevens: I’ve had this book since I was 16. Everything I learned about electronics and guitar pedals was from this book. I built the pedalboard pictured as a result back then.

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Gear Listen Music Top Stories

TUTORIAL: PreSonus ATOM SQ Hybrid MIDI Keyboard/Pad Performance and Production Controller – VIDEO

PreSonus: Ivan Calderon Teaches You How to EASILY Play Chords and Melodies with the ATOM SQ!

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Gear Guitars Listen Music New Releases Opportunities Top Stories

Behemoth: Nergal LCFR Guitar Pedal x KHDK – Limited Edition – 333 Pieces – 2021

Behemoth: Legions, your soul is in His grasp! Nergal’s LCFR pedal is now available exclusively at KHDK, click here to get yours @ this location.

It adds that ‘extra’ to make my music more radical.
– Nergal

Limited Edition – 333 Pieces Only

Read the Making of Story

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Gear Guitars Music Opportunities Top Stories

Tom DeLonge Reverb Shop – Selling blink-182, Angel & Airwaves Gear – 2021

Reverb: We’re stoked to announce that Tom DeLonge is opening his very own Reverb Shop next week—and it’s filled with sweet gear he’s used with Angels & Airwaves & blink-182!

The 100-piece cache DeLonge is parting with spans the whole gear spectrum, from amps to synths, guitar pedals, and more all used on world-wide tours and in the studio. Some highlights from the blink days include DeLonge’s go-to touring amps of the time: Marshall JMP-1s and multiple Mesa Boogie Triaxis amps.

Let’s go. Don’t wait. Sign up to be notified when the shop goes live!

Over the years, I’ve collected so much music gear, used on different albums and tours, that now I’m overflowing with this stuff,” said DeLonge. “I need space, and in order to make space for the next Angels & Airwaves run—so that I can rehearse, do our stretching, and hug and kiss each other and all that other shit we have to do—I want to pass this stuff on.”

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Gear Listen Music New Releases Top Stories

Tommy Lee Signature Cowbell Announced – Latin Percussion

Tommy Lee: GOTTA HAVE MORE COWBELL My new Latin Percussion signature cowbell is out now!!

CHECK IT OUT

LATIN PERCUSSION

LP009TL

TOMMY LEE ROCKSTAR

RIDGE RIDER COWBELL

Supremely durable and tour-ready, it’s big and full, with just the right amount of volume and attack for any fist-in-the-air rock anthem. The high-impact ridge offers up just the right overtones, making it perfect for both stage and studio. A patented LP Vise-Clamp tightly grips up to ½-inch diameter arms making it the go-to bell for the heaviest hitters.

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Gear Guitars Music Music for Sale NAMM Opportunities Top Stories

Accept Guitarist Wolf Hoffmann Debuts Official Reverb Shop

Accept: The official Wolf Hoffmann Reverb Shop is now open for business!

VIEW LISTINGS

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Gear Guitars Listen Music New Releases Top Stories

The Tom Morello Cry Baby Wah – GCB95 Standard – Guitar Pedals

Jim Dunlop: The Tom Morello Cry Baby Wah is based on the exact same pedal that Tom has used throughout his career—the GCB95 Cry Baby Standard Wah. Want to learn more about how Tom came to develop his innovative Cry Baby Wah technique? Watch the clip below.

Tom Morello, as a member of Rage Against The Machine, Audioslave, and in his solo work, has long harnessed the expressive power of the Cry Baby Wah as an integral part of his sound, propelling the voice of the unheard above the raucous groove of drums and bass. Express your own vision in solidarity with one of music’s great freedom fighters with the Tom Morello Cry Baby Wah. It features the aggressive, modern sound of the GCB95—the exact pedal Tom has used on every album and every tour throughout his career—with a custom finish bearing quotations chosen by Tom himself to highlight the battle for justice that he’s dedicated his craft and career to.

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Gear Guitars Listen Music New Releases Top Stories

Tech 21: Steve Harris, Geddy Lee, Dug Pinnick – Signature SH1, YYZ, DP-3X – Tech21 – Demos

Dug Pinnick:

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Gear Music Recording Top Stories

Stryper’s Michael Sweet on Bose F1 Loudspeakers: “We Purchased 3 F1 Tops and 3 F1 Subs”

Michael Sweet: We performed at Ace Of Spades (in Sacramento) and walked in to the Bose F1’s – We loved them so much that we purchased 3 F1 tops and 3 F1 subs (side fills and drum fill) – Best sounding compact boxes we’ve ever heard! The eq curve is perfect and they’re consistent night after night. I’ll be doing an interview with American Musical Supply at Bose in Framingham, Ma and I’ll be talking about these amazing fills???

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Gear Guitars Music Top Stories

Butch Walker Talks Pedalboard – Guitar Pedals

Butch Walker: Comin In here to post a pic of my pedalboard from the last year of shows I’ve done (fellow guitar nerds been askin’?). It’s never fancy or pretty, but it’s good sounding stuff. I’m always envious of the pedalboards that have 94 pedals crammed into a beautiful custom walnut wood board, with absolutely no cables showing at all. But let’s be real here.. i wreck shit onstage. This is why i can’t have nice things, apparently. Also that’s the difference between a “guitar player” onstage and a “singer that also plays guitar” onstage. My big ass, clumsy feet turn 30 buttons on at once if i have them too close together, and i also can’t look at my pedals while signing or I’ll literally fall down (singer vertigo or something). I’m currently building a smaller board that is gonna be SIMPLE AND DOPE, consisting of a TC Electronic tuner, JHS Pedal ЯR signature overdrive (by yours truly), and a Line 6 HX Stomp (it’s gonna be amazing)! Will report back in to post pics and vids of that working when i get all the parts i need to complete that little bad boy. Pictured here are:TC Electronic tuner,JHS Pedal compressor and ЯR signature pedal, WayHuge overdrive, Jim Dunlop MXR echoplex, carbon copy delay, reverb, and stereo chorus… That big red thing is my Audio Sprockets Tone Dexter acoustic guitar system that is THE TRUTH when it comes to plugging your acoustic into a sound system.

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Cool Chitz Gear Guitars Instruction Listen Music New Releases Recording Top Stories

Annihilator: Jeff Waters Talks Effect Units, Equalizers, Compressors

Annihilator:  This one is for everyone of you who likes to dive deeper in all the studio gear – effect units, equalizer, compressor, simply everything your heart desires!

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Gear Guitars Music New Releases Top Stories

Slash Says Guns N’ Roses Will “Start Moving Toward Getting A Record Done” 2020 Guitar Player Interview

Guitar Player: The top-hatted one himself discusses the new gear he’s been using onstage, and what’s on the horizon for the Conspirators and Guns N’ Roses…..

___________________

An excerpt from the interview has been posted below. You can read the entire interview at this location.

You recently built the Snakepit, your new recording studio in L.A. What can you tell us about it?

Slash:  It’s probably the third studio I’ve built in a residence. There’s nothing super unique about it. It’s just a small house that I found that had ample space for the live room and a control room. Neither one is large, but we ended up doing all the vocals and guitars there for Living the Dream. It’s not a great drum room, so we didn’t do the drums there, but we did all the overdubs and played live in the live room. The main thing is, it’s ours. We don’t have to block out time or deal with a studio owner or anything. We can go in there and play when we want, for as long as we want. It was a little bit difficult for Elvis [Baskette, Living the Dream producer] to record the guitars and all that stuff in there, because it’s a small space. It was a little bit of trial and error, but it came out really cool.

As far as these recent shows, is there any new gear you’ve been using onstage?

Slash:  Amp-wise I’ve just been using the [Marshall] Jubilee for the past couple of years. So far, I’m not thinking about changing. As for guitars, on the last record I ended up using a ’54 [Les Paul] Goldtop with soapbar pickups for a lot of it, which was very, very different for me. But I didn’t want to take a guitar with soapbars in it out on the road, because no matter how you look at it they’re just too noisy for a Marshall on full blast.

So I’ve been using some really great reissue Les Pauls that Gibson made for me that have humbuckers, but have just enough bite to really stand out and have a great attack and sound good. One is the Slash Brazilian Dream Les Paul, which has a strange sort of tobacco finish, and the other one is a red Slash Vermillion Les Paul. They’re both really, really cool.

What makes a good guitar riff?

Slash:  That’s a good question! Because I’m out here now working with the guys on stuff for a new Conspirators record, and I was wondering the same thing. [laughs] I do come up with a lot of riffs. As far as the ones that work, they have something that appeals to me, whether it’s a succession of notes or a rhythm or a melody. The thing is, I can sit around and play guitar all day and sometimes not recognize a good riff. It might not catch my ear. But if I sit down and really work on it with some other people, they hear what I’m missing and say, “Oh, yeah, that’s going to be great.” But something has to grab me in the first place before I’ll be able to focus on it and pursue it as a riff.

Once you have that riff that grabs you, do you have a general approach as far as building the rest of the song and an arrangement around it?

Slash:  Once you have a riff, a chord change, a little guitar piece or whatever it is that really grabs you, there’s a fair share of imagination that goes into it at that point. You start to imagine where it’s going. Usually, the only way I can really tell if it’s worth anything is to go and play it along with some drums. That’s the first thing. Ultimately, I need to hear it with bass and drums, but I’ll take the drums first, just to get an idea of the rhythm of it. And that will start to inspire where it should go.

You mentioned you’re working on new Conspirators music. What’s the status of that?

Slash:  I’m using this time when we’re on the road to accumulate as much material with Myles and the band as possible. Because after this tour’s over I go back to working on Guns. So I come up with stuff here and there and jam it with the band at soundcheck to get the idea of where it’s headed, and then we get it down on tape. And at some point where there’s a window in the Guns’ schedule, we’ll get together and record it. There’s some really good material for this next one, whenever we get around to doing it. So I’m really excited.

What about Guns N’ Roses – any new music in the works?

Slash:  We finally started working toward getting some material recorded. We get back together in October and go out on the road, and then as soon as that’s over, we’ll hunker down and start moving toward getting a record done.