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Interviews Listen Music New Releases Top Stories

Vinnie Vincent, The Downside of Traveling with the Ex-KISS Guitarist w/ Alexx Michael – Interview

This is a full in bloom interview with KISS Expo promoter, producer, Shameless bassist Alexx Michael.

YOU CAN LISTEN TO THE ENTIRE INTERVIEW VIA THE EMBEDDED YOUTUBE CLIP BELOW. You can also access the video directly on our main YouTube Channel.

DESCRIPTION:

Alexx talks about what it was like dealing with Vinnie Vincent on the road, Vinnie’s wives, Vinnie’s arrest, Mark St. John, Bruce Kulick, and more.

 

More BONUS interview clips on full in bloom Patreon

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History Interviews Listen Music Podcast Top Stories

House of Lords Vocalist James Christian Talks Early Days, Gene Simmons, Gregg Giuffria, Vince Neil, Chuck Wright – 2024 Interview

This is a full in bloom interview with House of Lords vocalist James Christian.

YOU CAN LISTEN TO THE ENTIRE INTERVIEW VIA THE EMBEDDED YOUTUBE CLIP BELOW. You can also access the video directly on OTHER YouTube Channel full in bloom Plus.

DESCRIPTION:

James talks about the early days of House of Lords, Gene Simmons, Paul Stanley, Gregg Giuffria, Ken Mary, Chuck Wright, Quiet Riot, Vince Neil, and more.

 

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History Music Top Stories

Ace Frehley: “The night it all began at the Popcorn Club in Queens!” 1973 – The First KISS Show – 2024

Ace Frehley:

January 30, 1973 🎸✨ The night it all began at the Popcorn Club in Queens! 51 years of rockin’ and rollin’, and the journey ain’t over yet. What a wild ride! Hahah! 🚀🤟 Thanks to every fan who’s been part of this crazy adventure. Here’s to the next chapter in my story! Stay tuned, we’re just getting started. (no, this photo isn’t from that night, I just like it – hahaha!)

Wikipedia:

The first Kiss performance took place on January 30, 1973, for an audience of fewer than ten people at the Popcorn Pub (renamed Coventry shortly afterward) in Queens. The band were paid $50 for performing two sets that evening, following a cold-call Simmons had made to the venue, convincing them to hire the new band for a three-night stand.

Paul Stanley:

Our first show ever was at Coventry. Coventry was a study in contrasts. The first time we played there was nobody there. The last time we played there, you could barely get in the door.

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Cool Chitz History Music Top Stories

KISS: Peter Criss and Paul Stanley in 1977

Bob Nash:

Peter Criss and Paul Stanley…1977

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Bitchslaps Music Top Stories

KISS’s Paul Stanley on Marjorie Taylor Greene “Attack”: “FRIGHTENING anyone buys into this drivel” – 2023

Paul Stanley:

FRIGHTENING anyone buys into this drivel from someone whose tactics include repeatedly accosting, belittling & harassing so many who don’t share her views. Ban books?? Divide the country up?? We are always better off being challenged by our freedom than by repression. Stand up.

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Art Music Opportunities Top Stories

KISS’s Paul Stanley at Wentworth Gallery – Tysons Galleria – McLean, VA – 2023

Paul Stanley:

TONIGHT! Wentworth Gallery – Tysons Galleria McLean, VA – from 5 pm to 7 pm.

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History Listen Music Top Stories

Gene Simmons & Paul Stanley on Recording KISS Demos w/ Eddie & Alex Van Halen & Songwriting: “There’s nothing wrong with stealing, as long as you do it right”

Guitar World: Paul Stanley and Gene Simmons talk classic Kiss tracks, including the lick they ripped off from the Rolling Stones, and the song they nearly gave to Rod Stewart.

You can read the entire feature @ this location. An excerpt from the article has been provided below.

On the song “Deuce”:

Gene Simmons:

“That was the first song I ever wrote for Kiss; it was thrown together in about half an hour. I ripped off the lick from Bitch by The Rolling Stones and changed it, so it starts in A and goes to a C.

“I purposely set out to create a repetitive lick – like in Satisfaction or Bitch. Lyrically, I had the slight thread of a story line, but I was more concerned with conveying attitude than making sense of the word ‘deuce’. I’m not quite sure what the line, ‘You know your man is working hard, he’s worth a deuce!’ means, but it sounded right.”

On the song “Hotter Than Hell”:

Paul Stanley:

“I was always a big fan of Free, and All Right Now really meant a lot to me – it was a perfect song. Hotter than Hell was basically me rewriting that song. There’s nothing wrong with stealing, as long as you do it right – and make sure that you’re stealing a diamond, not a piece of glass.

“All bands start off being fairly derivative, and copying others is the first step toward developing your own style. At that point I had gotten my first real custom guitar. A guy in New York named Charles Lobue built me something similar to a ’58 Flying V with two humbuckers – pretty similar to what Albert King was playing, but with one wing shorter than the other. Randy Rhoads’ Jackson V had a similar design.”

On the song “God of Thunder”:

Simmons:

“By the end of our third record [Dressed to Kill], we had gotten very used to each other’s songwriting styles. Paul’s songs were always a little snappier and happier, and mine were always darker and gloomier. So we’d poke fun at each other sometimes, and Paul once said to me, ‘Anybody can write a Gene Simmons song.’ To prove his point, he came back the next day with God of Thunder. I changed some of the lyrics and sang it.

“When I first heard the song, I immediately had visions of the scene in Fantasia where the mountain top opens and this big, winged thing is standing there – something from the dark shadows. But Paul’s God of Thunder lyrics totally missed the point – they were all about Aphrodite and love.

“The sound effect of the little kid was actually done by Bob Ezrin’s two sons, who ran into the studio wearing toy helmets and carrying walkie-talkies and ray guns. The weird voice on the song is one of the kid’s voices coming through a helmet, which we miked. It wasn’t planned, and we had no idea what it all meant, but it seemed right. It’s real Twilight Zone stuff – very weird.”

Stanley:

“I won’t say that Gene is lying about God of Thunder, but maybe he was trying to entertain you. It’s in Gene’s nature to glamorize a story and make it more interesting than it really is.

“Here’s the real story: I wrote that song about myself, and the original lyrics were almost identical to what was recorded. ‘Hear my word and take heed’ was originally ‘We make love ’til we bleed,’ but that was the only thing that was changed.

“When I wrote it, I had every intention of singing it, but Bob Ezrin thought that it would be more appropriate for Gene to sing. Although it became known as a Gene Simmons song, it certainly wasn’t written for him or as a joke.”

On the song “Christine Sixteen”:

Simmons:

“That song started as another great conversation with Paul: ‘You write dumb songs!’ ‘No, you write dumb songs!’ Paul had stolen some of my titles, like Black Diamond, and when he came up with the title Christine Sixteen, I stole it. I had just discovered Van Halen, so I had Eddie and Alex play on the demo. They also played on the original demo of Got Love for Sale.

“For the spoken part in the middle that goes ‘When I saw you coming out of school that day, I knew I’ve got to have you – got to have you!’ I always pictured myself in a black car across the street from a school, watching a young girl.”

You can read the entire feature @ this location.

Categories
Music Top Stories Tributes

Paul Stanley to Peter Criss: “Always my thanks to you for all you gave to us…”, KISS Drummer Turns 77 – 2022 – Happy Birthday

Paul Stanley:

HAPPY BIRTHDAY PETER! Always my thanks to you for all you gave to us and the fans.This is your special day. Enjoy it.

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Music Top Stories

KISS’s Paul Stanley on PANTERA’s 2022 Hell and Heaven Performance: “Dime and Vinnie would be proud”

Paul Stanley:

THRILLED to see Phil, Rex and PANTERA back and KILLIN’ it! Zakk and Charlie clearly did their homework with love and commitment. Pantera did shows with us years ago and were ferocious and explosive. Others tried but NOBODY could be them. Dime and Vinnie would be proud.

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Art Music Opportunities Top Stories

KISS’s Paul Stanley Wentworth Gallery Art Show (VIDEO) – 2022 – Appearing In Person – Dinner

Paul Stanley:

SATURDAY, DECEMBER 17 @ 5-8 PM
Wentworth Gallery Short Hills at Mall
Address: 1200 Morris Tpke, Short Hills, NJ 07078

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History Listen Music New Releases Top Stories

KISS’s Paul Stanley During ‘Creatures of the Night’ Creation: “We had forsaken our fans…We f__ed up. We got lost” – 2022 – INTERVIEW

KISS:

Paul Stanley Revisits ‘Creatures Of The Night’ with uDiscover Music!

You can read the entire interview @ this location. An excerpt from the conversation has been provided below.

How would you describe the place the band was at during the creation of Creatures of the Night?

Paul Stanley:

We were coming out of a coma. I think we suddenly realized how much we had veered away from what the band started as and what we believed in. We had really become complacent and more concerned with enjoying some vapid rewards of success than making great music and staying true to our roots. We were stumbling around, and suddenly, I think we just found ourselves going, “What the hell are we doing here? And look what we’re on the verge of losing.”

We had forsaken our fans, and we had, in a sense, betrayed the people who made us what we were. That’s a shock to wake up from. I think we had to go, “Hey, we f__ed up. We got lost.” We had this great [new] drummer, Eric Carr, and we thought, “For God’s sake, let’s make an album that’s rooted in the music we love and really make a declaration of rebirth.”

Eric was still new at the time, and now there was a new guitarist, Vinnie Vincent. How did they affect the sound of the band?

Clearly, Eric was a drummer in the tradition of a lot of British rock drummers, much more so than any American counterparts. It gave us the opportunity to tap into the roots of what inspired us. He was disheartened by what we had done. He thought he was joining a rock band, and we wound up doing The Elder. So, he was thrilled to be doing Creatures.

Vinnie wasn’t a member of the band when we did Creatures, so we were literally auditioning guitar players in the studio and having them play on different tracks. We had Robben Ford, who’s a phenomenal guitar player, play on “I Still Love You,” and Steve Farris played the solo on “Creatures of the Night,” which is one of the great solos. Vinnie co-wrote some of the songs and was a great person to co-write with, but he was never considered a band member until we were faced with a tour and had no choice but to grab somebody.

For Creatures, you wrote a bunch of songs with Adam Mitchell from The Paupers, among other things. A guy who was best known at the time for writing songs for Olivia Newton-John might have seemed like a surprising choice for your collaborator. How did that partnership come about, and what was your working dynamic like?

We’ve always had the philosophy that doing things the normal way isn’t how we operate. We’ve broken those rules so often I could give you a shopping list. [Creatures producer] Michael James Jackson was so left field that most people just scratched their heads at the idea of us being involved with somebody who had done the Canadian band Red Rider and also Jesse Colin Young from The Youngbloods, things that didn’t have any real clear relationship to what we were doing. But Michael felt right. [KISS’S manager] Bill Aucoin had no experience as a band manager; he’d never done anything like that. So, we’ve always trusted our instincts.

And Michael suggested Adam. Adam was just a terrific songwriter. I’m not one of those people who believes that as a writer, you stay in your lane. If you’re a good writer, you can write anything. Adam and I got together and knocked out a bunch of really good songs. I’ve always believed that there had to be a signature song for each album. Most of the time, it was a song that I would come up with. “Love Gun,” for example. “Detroit Rock City.” We needed a song that encapsulated, and kind of gave a preview as to what the whole album was, both in terms of attitude and sonics. Adam and I wrote “Creatures” quickly. From “Creatures” we did “Danger,” and we just had a ball writing.

You can read the entire interview @ this location

Paul Stanley is currently promoting KISS’s Creatures of the Night boxset. Check our previous post for more info @ this location.

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Listen Music Top Stories

KISS’s Paul Stanley: “Just got to Japan yesterday” – Tokyo Dome – 2022 Tour

Paul Stanley:

Just got to Japan yesterday and checked out our stage in the Tokyo Dome this evening. We ROCK tomorrow night and then fly home! Tired?? Sure, but WHAT A LIFE!!!

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Food Health Music Top Stories

KISS’s Paul Stanley: “This most amazing bottle of Aussie magic… Penfolds bin 111A. WOW.” – 2022

Paul Stanley:

A terrific dinner with Erin and 2 friends. We were all BLOWN AWAY by this most amazing bottle of Aussie magic… Penfolds bin 111A. WOW. The skill & artistry to create a shiraz this incredible is inspiring. Sharing it with others who appreciate it made it even better!

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Music Opportunities Top Stories

KISS: The Annual Paul Stanley Collectors Club Smashed Guitar Sale – 2022

Paul Stanley: It’s happening! The Annual Paul Stanley Collectors Club smashed guitar sale (& this year some mics too!). We’ve moved it up so we can ship them out before heading to Japan & Mexico!

VISIT: PaulStanleyGuitars.com

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Listen Music Top Stories

KISS’s Paul Stanley: “TIRED but SO worth it. KISS Kruise XI” – 2022

Paul Stanley:

TIRED but SO worth it. KISS Kruise XI. TWO back to back cruises, we played SIX times-deep cuts, lots of great bands, awesome fun with fans from 33 countries, and so much more. One more day of mayhem and then home. This is AMAZING.

 

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History Listen Music Top Stories

KISS’s Paul Stanley on Phantom of the Opera: “I never pushed harder in my life” – 2022

Paul Stanley:

Phantom Of The Opera… A fun moment before showtime with my amazing Christine, Melissa Dye. Sold out shows, standing ovations. 8 shows a week. I never pushed harder in my life. A truly cherished & magical time. I DO have the only GREAT video. Hard to believe it was 23 years ago.