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Celtic Frost’s Tom G. Warrior Comments on the 78th Anniversary of the Liberation of Auschwitz – 2023 – Commemorative Event/STREAM VIDEO

Tom Gabriel Warrior:

Never forget. And never again.

The 78th anniversary of the liberation of Auschwitz.

Commemorative Event.

Watch LIVE stream from 12.00 p.m.

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Tom G Warrior Celtic Frost ‘Danse Macabre’ Official Unboxing – 2022 – VIDEO – Boxset

Tom G Warrior:

Official unboxing video of Celtic Frost, ‘Danse Macabre.’

PURCHASE OPTIONS

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Celtic Frost ‘Danse Macabre’ Super Deluxe Boxset VINYL/LP/CD – The Complete Recordings 1984 -1987 – BOX SET – 2022

‘DANSE MACABRE’
SUPER DELUXE BOX-SET OF THE COMPLETE RECORDINGS: 1984 -1987

TO BE RELEASED ON 28th OCT IN UK/EU AND 25TH NOV IN USA/CA.

PRE-ORDER CD BOXSET

PRE-ORDER LP BOXSET

Over the course of little more than three years between 1984 and 1987, Celtic Frost established themselves as one of the most important bands in extreme and experimental music of that era. ‘Danse Macabre’ brings together the band’s recordings from those years, capturing their boundary-pushing ambition and creative zeal.

On paper, the story of Celtic Frost’s early years is as unlikely as it is extraordinary: a tale of how teenagers from rural Switzerland, at once audaciously ambitious and ferociously uncompromising, took heavy metal into new, exciting and unquestionably extreme territory. That they did so in the face of adversity at almost every turn makes this story even more incredible.

From its very inception mid-way through 1984, following Tom Gabriel Warrior and Martin Eric Ain’s decision to dissolve Hellhammer, Celtic Frost set out to give expression – both musically and aesthetically – to a uniquely extreme artistic vision which the pair delineated in forensic detail in a document which was presented to Noise Records, with whom Hellhammer had released ‘Apocalyptic Raids’, in order to demonstrate to the label that their new band was a viable project.

Convinced, Noise asked Celtic Frost to record a mini-LP, even though that hadn’t formed part of Warrior and Ain’s concept document. Undeterred, and propelled by a burning urgency, Celtic Frost set out to write and record a full-length LP in a matter of a few months. ‘Morbid Tales’ was recorded with Horst Müller in Berlin and was unlike anything else. Intensely heavy, nuanced and experimental, the record was a radical musical statement of intent, a stunning synthesis of Warrior and Ain’s disparate influences. From the furious opening riff of ‘Into The Crypts Of Rays’ through to the avant-garde experimentation of ‘Danse Macabre’, ‘Morbid Tales’ heralded the arrival of Celtic Frost as a profoundly unique and uncompromising band.

New Yorker Reed St Mark joined Celtic Frost as a permanent member in February 1985, replacing session drummer Stephen Priestly, and the trio recorded the ‘Emperor’s Return’ EP in April ‘85, at Noise’s request. Featuring the first recording of the essential ‘Circle Of The Tyrants’, the EP is a solid snapshot of the sheer fanaticism that was the lifeblood of Tom and Martin in particular.

‘To Mega Therion’ was Celtic Frost’s next album, recorded in September ‘85. Due to personal difficulties, Martin was not in the band at that point, and so bass duties for the recording were carried out by session player Dominic Steiner. Martin’s absence also meant that Tom was responsible for the music and virtually all of the lyrics. But despite difficult circumstances, the resulting album, however, was a triumph. Replete with iconic cover art by HR Giger, ‘To Mega Therion’ imposes its dark majesty from the off with the orchestral bombast of ‘Innocence And Wrath’, before launching into the savagery of the hook laden ‘The Usurper’. Daring, dark and superlatively heavy, ‘To Mega Therion’ is a sophisticated expression of Celtic Frost’s inherent drive to eschew genre limitations and, instead, define art on their own terms.

Martin Ain was soon brought back into the fold and a few songs from ‘To Mega Therion’ were re-recorded and remixed with Harris Johns, emerging as the excellent sounding ‘Tragic Serenades’ EP. It, and Celtic Frost’s previous releases, increasingly received critical acclaim, which emboldened the band to take more risks, to push the boundaries of heavy music even further with their next album.

Recorded in Hanover at the start of 1987, ‘Into The Pandemonium’ was not an easy album to make, the band’s experimental ambitions often at odds with their label’s concerns. But, despite these obstacles, the band defended their artistic vision, and the result is an astonishing piece of avant-garde art. The album’s experimentation is still striking today, challenging how we perceive heavy music and what it means to take music risks. Only Celtic Frost could create an album which kicks off with a singular cover of a New Wave song (Wall Of Voodoo’s ‘Mexican Radio’) and immediately follow it up with the mournful tragedy of ‘Mesmerized’.

‘Into The Pandemonium’ was the last recording made by this era of Celtic Frost, bringing to an end a period of incredible creative and artistic growth over what was a remarkably brief period of time. That the teenagers who recorded ‘The Third Of The Storm’ and ‘Triumph Of Death’ for the Hellhammer EP would, despite constant turmoil, be recording the jaw-dropping ‘Rex Irae’ just three years later is astonishing.

‘Danse Macabre’ captures the radical ambition and evolution of Celtic Frost from 1984 through to 1987. In addition to the albums ‘Morbid Tales’, ‘To Mega Therion’ and ‘Into The Pandemonium’, the 7-marble color vinyl box set also includes the ‘Emperor’s Return’, ‘Tragic Serenades’ and ‘I Won’t Dance’ EPs, along with ‘The Collectors Celtic Frost’ compilation, a 7” of ‘Visual Aggression’ and a cassette of rehearsals recorded at the band’s Grave Hill Bunker. A 12” x 12”, 40-page book, brings together photography – some previously unseen – from the era and brand new interviews with Tom Gabriel Warrior and Reed St Mark. A Heptagram USB drive contains MP3 audio of all the albums, including bonus tracks. A Danse Macabre woven patch, a double-sided poster, and a Necromaniac Union fan club enamel badge complete the set. ‘Danse Macabre’ is also available as a 5 CD box set, with 40-page book, badge, poster and patch.

THE LP BOX SET INCLUDES
Morbid Tales
(1LP red & black galaxy vinyl)
To Mega Therion
(1LP gatefold Silver & black swirl vinyl)
Into The Pandemonium
(1LP gatefold on orange and beige galaxy vinyl)
Emperor’s Return
(Back on vinyl for the first time in 37 years. Green & black galaxy)
Tragic Serenades
(12” EP on pink and black swirl vinyl)
I Won’t Dance
(12” EP, back on vinyl for the first time in 35 years. White & black swirl vinyl)
The Collector’s Celtic Frost
(12” single, back on vinyl for the first time in 35 years. Marble vinyl with silk screen print on Side B)
Visual Aggression
(7” single with new artwork and on grey vinyl)
Grave Hill Bunker Rehearsals
(Four track rehearsal demo cassette from 1984)
12” x 12” 40-page book of brand new interviews with founding member Tom G Warrior and drummer Reed St Mark. Contains rare and previously unseen photos from the era.
‘Heptagram’ figurine USB drive containing MP3 audio of all the albums, including bonus tracks.
Two sided, A2 poster.
‘Necromaniac Union’ fan club enamel badge.
‘Danse Macabre’ sew on woven patch.

THE CD BOX SET INCLUDES
Morbid Tales
(Full album, remastered)
To Mega Therion
(Full album plus Tragic Serenades bonus tracks, remastered)
Into The Pandemonium
(Full album plus I Won’t Dance bonus tracks, remastered)
Emperor’s Return
(Full EP plus bonus tracks, remastered)
Grave Hill Bunker Rehearsals
(1984 rehearsal tracks)
40-page book of brand new interviews with founding member Tom G Warrior and drummer Reed St Mark. Contains rare and unseen photos from the era.
Two-sided poster.
‘Necromaniac Union’ fan club enamel badge.
‘Danse Macabre’ sew on woven patch.

A very limited edition Glow In The Dark vinyl variant edition of the LP box set will be available via EMP and Nuclear Blast online. This is limited to 1000 units.

WATCH A NEW HD VERSION OF THE VIDEO ‘CIRCLE OF THE TYRANTS’

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Celtic Frost’s Tom Gabriel Warrior to Elon Musk: “Low birth rates would be the best thing that could happen…” – 2022

Elon Musk:

Population collapse due to low birth rates is a much bigger risk to civilization than global warming.

Mark these words.

(And I do think global warming is a major risk.)

Tom Gabriel Warrior:

Low birth rates would be the best thing that could happen to humanity and this planet.

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Sodom ‘M-16’ 20th Anniversary CD/LP/VINYL Boxset – 2021 – BOX

M-16
The 20TH Anniversary Edition
of the Anti-War Album

Available on:
Deluxe 4LP Boxset / 2LP / 1CD Mediabook
Release: 10TH December 2021 / BMG

PRE-ORDER

Almost twenty years ago to the day, celebrated thrash metal act Sodom released one of the most significant albums of its career: ‘M-16’, an offering that continues to be a challenge both musically and in terms of its content still touches upon a very sensitive issue in the history of mankind. The theme of the iconic concept album is the Vietnam War, which was officially fought between North and South Vietnam in the 1960s, with the intervention of 500,000 US soldiers fighting and supporting anti-communist North Vietnam against Eastern Bloc detachments. Songs such as ‘Among The Weirdcong’, ‘Napalm In The Morning’, ‘Minejumper’ and ‘Cannon Fodder’ see musicians Tom Angelripper (vocals, bass), Bernemann (guitar), and Bobby Schottkowski (drums), who recorded the album at the time, hauntingly evoke through harsh metal sounds and unmistakable words images of war, brutalization and devastation, grievances and the excesses of Western civilization. ‘M-16’ continued Sodom’s tradition of politically committed and socio-critical albums such as ‘Agent Orange’ (1989) and ‘Code Red’ (1999). No doubt: In autumn 2001, Sodom succeeded in creating a masterpiece of international metal history, now set to be re-released on 10th December 2021, remastered by Sodom drummer Toni Merkel and featuring extensive bonus material as well as attractive fan items in a premium-quality package.

‘M-16 (20th Anniversary Edition)’ will be available in three different formats (tracklisting below): as a deluxe box set, including the remastered original album plus bonus live tracks, two additional bootleg LPs with further previously unreleased live versions (recorded in Germany, Thailand, Japan), a USB stick in the shape of a rifle cartridge with all the album songs, a Sodom military ID badge, a poster featuring the cover artwork plus a 44-page booklet with rare photos and liner notes by Tom Angelripper. In the booklet, former ‘Metal Hammer’ contributor Manni Eisenblätter, whose private archive contains countless unpublished Sodom photos, tells the story of the album`s creation and promotion, for which the band traveled to Thailand and South Vietnam just a few weeks before its release to get a first-hand impression of Vietnam, a country scarred by the devastation of war.

In addition to the remastered original songs, the CD media book includes two previously unreleased live tracks from 2001 and additional never-before-seen Sodom photos, which also can be on the orange vinyl version (2LP, 180g).

Listen to the new single “Remember The Fallen”
(Live Wacken 2001):

Looking back two decades on, ‘M-16’ continues to be a very special album to bandleader Tom Angelripper:

“The recording is definitely one of Sodom’s classics, not least because of its consistent thematic concept. It was also our last collaboration with producer Harris Johns, finalizing an important era for the band. I’m very happy that ‘M-16’ will now be re-released as a ‘20th Anniversary Edition’ with new versions and lots of attention to detail.”

TRACKLISTING
CD
Among The Weirdcong * I Am The War * Napalm In The Morning * Minejumper * Genocide * Little Boy * M-16 * Lead Injection * Cannon Fodder * Marines * Surfin` Bird * Remember The Fallen (Live Wacken 2001, previously unreleased) * Blasphemer (Live Wacken 2001, previously unreleased)

LP
LP1-A: Among The Weirdcong * I Am the War * Napalm In The Morning
LP1-B: Minejumper * Genocide * Little Boy
LP2-A: M-16 * Lead Injection * Cannon Fodder
LP2-B: Marines * Surfin` Bird * Remember the Fallen (Live Wacken 2001, previously unreleased) * Blasphemer (Live Wacken 2001, previously unreleased)

BOX
LP1-A: Among The Weirdcong * I Am The War * Napalm In The Morning
LP1-B: Minejumper * Genocide * Little Boy
LP2-A: M-16 * Lead Injection * Cannon Fodder
LP2-B: Marines * Surfin` Bird * Remember The Fallen (Live Wacken 2001, previously unreleased) * Blasphemer (Live Wacken 2001, previously unreleased)

Bootleg LP1-A: Live Wacken 2001 (previously unreleased): Agent Orange * Code Red * Der Wachturm * M-16
Bootleg LP1-B: Live Tokyo 2002 (previously unreleased): Among The Weirdcong * The Vice Of Killing * Eat Me
Bootleg LP2-A: Live Bang Your Head 2003 (previously unreleased): The Saw Is the Law * Outbreak Of Evil * Bombenhagel
Bootleg LP2-B: Live Bangkok 2002: I Am The War * Masquerade In Blood * Sodomized

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Celtic Frost ‘Cold Lake’ Inside the 1988 Album with Producer/Engineer Tony Platt – Tom Gabriel Fischer ‘Warrior’ – Interview


This is a full in bloom interview with producer / engineer Tony Platt.

INSIDE THE ALBUM
Celtic Frost
Cold Lake

If you found this interview first, make sure to listen to our interview with Tony where he talks about recording AC/DC’s Highway to Hell, Back in Black, & Foreigner 4 @ this location.

LISTEN TO THE INTERVIEW VIA THE EMBEDDED YOUTUBE CLIP BELOW.

You can also listen to this episode on SOUNDCLOUD and SPOTIFY.

Tony talks about his experience while recording the 1988 Celtic Frost glam album, ‘Cold Lake.’

Tony Platt Interview via YouTube

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“Triumph Of Death Went Above And Beyond” Vegas – Hellhammer – Tom G Warrior – Celtic Frost – Triptykon

Del James:  Triumph Of Death went above and beyond! Never in my wildest dreams could I have imagined the songs of Hellhammer sounding so great! Thank you Tom G Warrior and #psycholasvegas

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Music New Releases Top Stories

Thomas Gabriel Fischer Reflects on Celtic Frost Albums

Triptykon’s Thomas Gabriel Fischer recently opened up about his days fronting the Swiss extreme metal band Celtic Frost. Fischer, then known as Tom Warrior, lead Celtic Frost through five albums between 1984 and 1990 before they disbanded. Although unaware at the time, the band’s influence on various forms of metal, including thrash metal, black metal and death metal is undeniable. “We were too young and too involved to see the greater context of anything,” says Fischer. “We didn’t really think of creating anything pioneering or modern.”

Asked about his unique guitar style, Fischer told Guitar World:
“It is a completely different approach to guitar playing. I stood there as the young Tom Warrior, with these raging feelings inside of me, of having been an outcast, having experienced violence, having experienced a difficult youth, being completely ignored by the Swiss scene at the time, all of these things—I stood there in our stinky rehearsal room in front of my Marshall, trying to express these feelings.

“I was standing there on my own, trying to figure it out, learning step by step how to do this feedback, how to do this tone, how to express what was inside of me. So that’s a completely different approach than if I’d paid somebody 50 bucks to teach me for two hours where to find these notes, you know?”

On Celtic Frost’s classic albums, 1984’s Morbid Tales, 1985’s To Mega Therion, 1987’s Into the Pandemonium and 1990’s Vanity/Nemesis—which have recently been reissued in deluxe CD and vinyl editions by BMG/Noise:
“These albums are all deeply flawed,” says Fischer. “But looking back at them now, I think that’s exactly what makes them so unique. They’re not perfect, run-of-the-mill products…they are experimental albums, and in many aspects they fail; but in a way, that’s a part of it. We were exploring things, and if you explore things, you sometimes have to take the risk of failing. And of course, Celtic Frost failed many times, but I wouldn’t change a thing. I think I learned as much from the failures as I learned from the successes, and it would be way too simplistic and too pretentious for me to just look at the good sides.”

Morbid Tales (1984)

“Our only official record at the time, the Hellhammer EP, was criticized heavily by the record company and by the press of the day as being a muddy production, limited technical capabilities, and so on,” Fischer recalls.

“With the ears of the time, at a time when bands strove to have vocalists like Ronnie James Dio, we agreed with these criticisms—we could see where they were coming from. So we abandoned Hellhammer, and we created a new band and recorded Morbid Tales in an attempt to not be dropped by the record company. The album was deeply, deeply personal, and actually a very desperate undertaking, where we put every ounce of our energy into something, because we could only see up to that album; we didn’t have a horizon beyond that. Because we really didn’t know whether we could pull it off…

“We had spent years in a mildewed, wet, stinky, underground rehearsal room—an old bunker—dreaming of attaining a record deal, being fanatical metal fans, literally playing every single day, much more than any other Swiss band that we knew. And then we had attained a record deal, which was the fulfillment of our teenage dreams, and of course we wanted to keep that. We knew our first record with Hellhammer was flawed, and we wanted to show that we were not blind, and that we could actually progress as musicians. And we were desperate not to end back up in that rehearsal room without a record deal. And I think you can hear that fervent energy, that desperation, that determination, that energy in Morbid Tales.”

To Mega Therion (1985)

“We left the ordinary society, grew our hair, dressed differently and played music that everybody hated exactly because we didn’t want to be limited. We hated these mechanisms in society where idiots tell you what to do—and then, as soon as you are in a metal band, you are being told what to do? No, not Celtic Frost. I had listened to Emerson, Lake and Palmer or Deep Purple in concert, or early Roxy Music, and I loved the combination of classical instruments with rock music. And I was wondering if we could combine that with extreme metal, and that’s why we did this—even though some people said, ‘You cannot do that, you should not do that, it’s wimpy, blah blah blah.’ Even back then, we simply refused to be contained…

Into the Pandemonium (1987)

“Martin and I were fanatical metalheads” Fischer explains. “But at the same time, we loved music. Martin came as a huge fan of what was then called new wave—bands such as Bauhaus, Sisters of Mercy, Siouxsie and the Banshees, Joy Division, what have you. I loved that music, too, and in addition I loved jazz music, I loved classical music, I loved experimental rock music, and so on. And when the two of us combined all this, and then we found a drummer like Reed St. Mark, who also came from a jazz background, a Latino background, and so on—the creativity in the band was limitless. And we wanted to use that!

“But when it came to the Into the Pandemonium album, the record company actively tried to prevent us from doing this. They threatened to shut down the production, and they told us literally to record an album like Slayer or Exodus. They said, ‘That’s what’s selling. What you’re doing will not sell a single copy!’ Nowadays, every metal band has worked with classical instruments, with female singers; there’s tons of gothic metal bands, it’s a household thing. Back then, it was completely unheard of, and everybody tried to stop us. Nobody could see the merit in it. And also, we didn’t only have to fight objections; we also had to fight inexperience.

“The engineers had only recorded thrash metal, bands like Sodom or Destruction; they didn’t have any experience in how to record a horn or cello. So it was experimentation every step of the way, and it was the overcoming of all kinds of obstacles every step of the way. It wasn’t very easy to create these albums, but I think that, too, adds to the reality, the desperation, and the emotions you hear on the albums.”

Make sure to read the entire interview at this location.