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The Byrds: 1964 – 1967 BOOK – Super Deluxe – Signed by Roger McGuinn, Chris Hillman, and David Crosby

David Crosby: Just in case you were still undecided here is a message from the man himself!

Get your copy of ‘THE BYRDS: 1964-1967’—a limited-run, collectible 400-pages of photographs including previously-unseen images from the studio & on the road—available in Super Deluxe, Deluxe & Standard editions.

Grab yours before they’re gone at: ByrdsBook.com

THE BYRDS: 1964-1967

A new large-format 400-page collectible art book curated by the band’s three surviving founding members, and available in three versions, including a Super Deluxe Limited Edition signed by Roger McGuinn, Chris Hillman, and David Crosby.

When the Byrds released “Mr. Tambourine Man” in 1965, they introduced Bob Dylan’s songs to a new audience and launched a career that would make them among the most influential rock bands of all time. With their unmistakable harmonies and Roger McGuinn’s innovative 12-string Rickenbacker guitar, the Byrds never stopped experimenting. They incorporated folk, country, and jazz influences into a fresh blend that helped define an era. “And not to be too shallow,” Tom Petty once wrote, “but they also were just the best-dressed band around. They had those great clothes and hairdos.”

Now the band’s three surviving founding members – Roger McGuinn, Chris Hillman, and David Crosby – have come together to present The Byrds: 1964-1967, a large format tabletop book that offers a unique visual history of the group. Featuring more than 500 images from legendary photographers such as Henry Diltz, Barry Feinstein, Curt Gunther, Jim Marshall, Linda McCartney, Tom Gundelfinger O’Neal, and Guy Webster, the book also includes restored images from the Columbia Records archives and the personal archives of the band’s original manager.

Accompanied by a running commentary of their memories of the group, the era, one another, and their late compatriots Gene Clark and Michael Clarke, this carefully crafted volume is a truly unique collector’s item for Byrds fans.

“Those original Byrds really changed the world in that short time they were together.” – Tom Petty

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The Byrds Reunion 2018-2019? David Crosby & Roger McGuinn Twitter Exchange – Chris Hillman

Here’s a cool exchange from two former bandmates, David Crosby and Roger McGuinn.   In the ’60s, the two musicians stood as folk-rock pioneers in The Byrds.  Reunion 2018-2019?

On Thursday, November 11th, David Croby tweeted:
“Made a lot of mistakes in my life …one of them was forgetting who the real leader of the Byrds was for a minute there Roger McGuinn”

Within minutes, Roger Mcguinn responded:
“I made a lot of mistakes in my life and one of them was firing the best harmony singer in the world David Crosby”

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Ex-Byrds Co-Founder Chris Hillman Readies New Tom Petty Produced Album, w/ David Crosby

On September 22, 2017, multi-instrumentalist Chris Hillman will release Bidin’ My Time, his first studio album in over a decade.  Tom Petty produced the upcoming effort at his studio in Southern California, and Hillman’s longtime collaborator and co-founder of the Desert Rose Band Herb Pedersen served as executive producer. You can listen to the single “Wildflowers” via the embedded clip below.

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Chris Hillman, a founding member of the Byrds (w/ Roger McGuinn, Gene Clark, David Crosby and Michael Clarke), Flying Burrito Brothers, Manassas, and the Desert Rose Band, is widely acknowledged as a seminal figure in the creation of country rock and an architect of American popular music.

Featured performers and guests on the new recording include Byrds co-founders David Crosby and Roger McGuinn; Desert Rose Band alumni Pedersen, John Jorgenson, and Jay Dee Maness; Petty and fellow Heartbreakers Mike Campbell, Steve Ferrone, and Benmont Tench; Mark Fain, Josh Jové, and Gabe Witcher.

The album kicks off with a new recording of Pete Seeger’s and Welsh poet Idris Davies’ “The Bells of Rhymney,” which the Byrds recorded for their debut, Mr. Tambourine Man. It’s always been Hillman’s favorite song the band ever recorded. Crosby and Pedersen contribute otherworldly harmonies to the tune, which swells from stripped-down folk into a layered rock-and-roll cry. “I decided to cut it again because I wanted to sing with David and Herb, two great tenors,” Hillman says. “David just loves Herb’s singing, and at 75 years old, David is still a powerful singer — one of the best I’ve ever worked with or been around.”

Another Byrds nod, “Here She Comes Again” was co-written by Hillman and McGuinn, and until now, had only been recorded on a live album in Australia. Hillman plays bass on the track — the instrument he originally played with the Byrds but hadn’t picked up in more than 30 years. “She Don’t Care About Time” was written by Byrds co-founder Gene Clark, who died in 1991. Hillman had always felt the song, which was the original b-side to “Turn! Turn! Turn!,” never quite got the attention it deserves.

Hillman also indulged in an exercise every songwriter craves: he reworked “Old John Robertson,” first featured on The Notorious Byrd Brothers in 1968, to write “New Old John Robertson.” An ambling story song about a kind old man who lived in Hillman’s tiny hometown, the tune revels in Hillman’s bluegrass roots. The album also includes interpretations of the Everly Brothers’ “Walk Right Back,” Petty’s “Wildflowers,” and “When I Get a Little Money,” written by family friend Nathan Barrow.
Hillman’s originals confirm what a fierce songwriter he remains. Front-porch jam session “Such is the World We Live In” wonders what Hillman’s great-grandfather would say about current events. The song epitomizes Hillman’s distinct ability to bemoan ills without abandoning hope. Album standout “Restless,” another self-penned original, saunters as Hillman delivers a muscly vocal performance. Honest but loving, “Given All That I Can See,” a favorite of Hillman’s he calls the record’s “sort-of gospel song,” is a timely call for mercy and grace in an era beleaguered by hate and fear.

The project captures a rarity: a seasoned artist who has never sounded better, making music with old friends for the sheer love of it. “I did everything I felt was right in the moment,” Hillman says of the recording process, before adding with characteristic humility, “I did my very best. That’s all any of us can do.”

The album kicks off with a new recording of Pete Seeger’s and Welsh poet Idris Davies’ “The Bells of Rhymney,” which the Byrds recorded for their debut, Mr. Tambourine Man. It’s always been Hillman’s favorite song the band ever recorded. Crosby and Pedersen contribute otherworldly harmonies to the tune, which swells from stripped-down folk into a layered rock-and-roll cry. “I decided to cut it again because I wanted to sing with David and Herb, two great tenors,” Hillman says. “David just loves Herb’s singing, and at 75 years old, David is still a powerful singer — one of the best I’ve ever worked with or been around.”

Another Byrds nod, “Here She Comes Again” was co-written by Hillman and McGuinn, and until now, had only been recorded on a live album in Australia. Hillman plays bass on the track — the instrument he originally played with the Byrds but hadn’t picked up in more than 30 years. “She Don’t Care About Time” was written by Byrds co-founder Gene Clark, who died in 1991. Hillman had always felt the song, which was the original b-side to “Turn! Turn! Turn!,” never quite got the attention it deserves.

Hillman also indulged in an exercise every songwriter craves: he reworked “Old John Robertson,” first featured on The Notorious Byrd Brothers in 1968, to write “New Old John Robertson.” An ambling story song about a kind old man who lived in Hillman’s tiny hometown, the tune revels in Hillman’s bluegrass roots. The album also includes interpretations of the Everly Brothers’ “Walk Right Back,” Petty’s “Wildflowers,” and “When I Get a Little Money,” written by family friend Nathan Barrow.
Hillman’s originals confirm what a fierce songwriter he remains. Front-porch jam session “Such is the World We Live In” wonders what Hillman’s great-grandfather would say about current events. The song epitomizes Hillman’s distinct ability to bemoan ills without abandoning hope. Album standout “Restless,” another self-penned original, saunters as Hillman delivers a muscly vocal performance. Honest but loving, “Given All That I Can See,” a favorite of Hillman’s he calls the record’s “sort-of gospel song,” is a timely call for mercy and grace in an era beleaguered by hate and fear.

The project captures a rarity: a seasoned artist who has never sounded better, making music with old friends for the sheer love of it. “I did everything I felt was right in the moment,” Hillman says of the recording process, before adding with characteristic humility, “I did my very best. That’s all any of us can do.”

Featuring David Crosby, Roger McGuinn, Mike Campbell, Mark Fain, Steve Ferrone, John Jorgenson, Josh Jové, Jay Dee Maness, Benmont Tench, and Gabe Witcher

Tracklisting:
1. Bells of Rhymney
2. Bidin’ My Time
3. Given All I Can See
4. Different Rivers
5. Here She Comes Again
6. Walk Right Back
7. Such Is The World That We Live In
8. When I Get a Little Money
9. She Don’t Care About Time
10. New Old John Robertson
11. Restless
12. Wildflowers

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David Crosby on Ted Nugent, “the asshole just isn’t good enough”

David Crosby is quite active on Twitter and is known to interact with fans on the social media site. When someone asked, “Ted Nugent recently said political correctness is keeping him out of the Rock and Roll Hall of Fame..do you agree?,” Crosby replied, “No the asshole just isn’t good enough.”

Nugent recently said that he hasn’t been inducted into the Rock and Roll Hall of Fame because of his support for gun rights and being on the National Rifle Association’s board of directors.

Crosby has been inducted into the Rock and Roll Hall of Fame twice.  In 1991 he was inducted with his group The Byrds and in 1997 with Crosby, Stills & Nash.

Did You Know?
Crosby, Stills & Nash is the only band to see all of its members be inducted with other acts: Stephen Stills with Buffalo Springfield in 1997, and Graham Nash with The Hollies in 2010.

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David Crosby 2017 Tour Dates + New Album ‘Sky Trails’ + New Song “Sell Me a Diamond”

Pre-order Sky Trails on Amazon – Apple – Google Play.

David Crosby will release his new solo album, Sky Trails, on September 29th via BMG. The legendary singer-songwriter recently unveiled his new track, “Sell Me a Diamond”, located below.

In an interview with Rolling Stone, Crosby said: “Most people at my age are either lazy or they’re just pulling the handle trying to get another hit. They feel that maybe they’ve said everything they want to say. They also just don’t work at it. I’m not smarter or better than they are. It’s just that the songs are coming to me.”

David Crosby will launch his 2017 tour on October 30th in Chicago, IL; a list of dates can be found below.

Sky Trails Tracklisting

1. She’s Got To Be Somewhere
2. Sky Trails
3. Sell Me A Diamond
4. Before Tomorrow Falls On Love
5. Here It’s Almost Sunset
6. Capitol
7. Amelia
8. Somebody Home
9. Curved Air
10. Home Free

David Crosby 2017 Tour Dates:

October 30 – Chicago, IL @ City Winery
November 1 – Des Moines, IA @ Hoyt Sherman Place
November 2 – Burnsville, MN @ Ames Center
November 4 – Carmel, IN @ The Palladium – Center for the Performing Arts
November 5 – Kent, OH @ The Kent Stage
November 7 – Munhall, PA @ Carnegie Music Hall of Homestead
November 8 – Ithaca, NY @ State Theatre
November 10 – Montreal, QC @ Place des Arts
November 12 – Portland, ME @ State Theatre
November 13 – Boston, MA @ City Winery
November 15 – Derry, NH @ Tupelo Music Hall
November 17 – Albany, NY @ The Egg Center For the Performing Arts
November 18 – Rutland, VT @ Paramount Theater
November 20 – Ridgefield, CT @ Ridgefield Playhouse
November 21 – Collingswood, NJ @ Scottish Rite Auditorium
November 25 – New York, NY @ The Concert Hall at NYSEC
November 26 – Morristown, NJ @ Mayo Performing Arts Center
November 28 & 29 – Vienna, VA @ The Barns at Wolf Trap
December 1 – Annapolis, MD @ Rams Head On Stage
December 2 – Durham, NC @ Carolina Theater
December 4 – Nashville, TN @ CMA Theatre
December 5 – Atlanta, GA @ City Winery Atlanta
December 7 – Fort Lauderdale, FL @ Parker Playhouse
December 9 – Clearwater, FL @ Capitol Theater