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Alan Parsons Project ‘Pyramid’ LP/VINYL – Record Store Day 2024

Alan Parsons:

📣 #AlanParsonsProject x #RecordStoreDay 📣
Releasing on April 20th, 2024!

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This ‘Work In Progress’ version of The Alan Parsons Project’s iconic Pyramid album contains early demos, rough mixes and Eric Woolfson’s Songwriting Diary versions of the nine tracks that appear on the Pyramid album. Six of these tracks are previously unreleased and all of them are making their first appearance on vinyl. Housed in a poly-lined inner sleeve with an accompanying 12” x 12” insert, this orange vinyl LP is strictly limited to 4200 copies worldwide.

Tracklisting
1. Voyager (Early Stage)
2. What Goes Up…/Little Voice (Early Version Demo)
3. The Eagle Will Rise Again (Rough Mix Featuring Backing Vocals)
4. One More River (Eric Woolfson’s Songwriting Diary)
5. Can’t Take It With You (Rough Mix)
6. In The Lap Of The Gods Part I (Demo)
7. Pyramania (Eric Woolfon’s Songwriting Diary)
8. Hyper-Gamma-Spaces (Demo)
9. Shadow Of A Lonely Man (Alan Parsons’ Experimental Demo Vocal)

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Alan Parsons: This is my fifth project with Jordan Asher Huffman – “Beautiful Torture” – NEW SONG – 2022

Alan Parsons:

This is my fifth project with Jordan Asher Huffman and as usual, a pleasure to produce his latest release, “Beautiful Torture”. Please enjoy and share!

STREAMING OPTIONS

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Art Music New Releases Top Stories

Alan Parsons’ From the New World Limited Edition Album Artwork Prints – 2022 – Ioannis

Hyper Gallery announces limited-edition album cover print of Alan Parsons’ From the New World, by acclaimed album cover artist Ioannis, on the occasion of the album’s launch.

PURCHASE @ THIS LOCATION

Celebrating the new album’s release, this fabulous archival high end print has been published by the HYPERGALLERY in LONDON UK, the world’s premier gallery for authentic signed album cover art, and printed by Visual Impact Studios in Connecticut, USA. The print is numbered and hand signed by both Alan Parsons and the artist, Ioannis. It is limited to only 100 pieces and the series will be closed after that. It will not be available in any other configuration and is the only print signed by the artists. Prints can be ordered now at hypergallery.com for delivery in July.

“I am absolutely delighted with the artwork Ioannis has created for this album. The title was inspired by Czech composer Antonín Dvořák who wrote a symphony while living in America called ‘From the New World.’ I clearly remember the album from my youth with the New York cityscape on the cover. I love how Ioannis incorporated that among other important images into the artwork.” – Alan Parsons

Ioannis has worked closely with Alan and his team on the image for Parsons’ latest album. They agreed from the start that it would be published as an art print, giving fans something special to commemorate this highly anticipated release.

“In the middle of Winter 2022, I received a call from a representative of Alan Parsons to discuss the possibility of working on Alan’s upcoming album artwork. I was honored that they asked for me specifically, having seen my work the previous year. Thus FROM THE NEW WORLD began and it was one of the best experiences that I have ever had with a client. The music was so inspiring to create for. Alan and I agreed to celebrate the occasion with the release of an archival quality print – a high end ‘fine art’ edition, limited to only 100 pieces and signed in pencil by both Alan and myself. This is the first time Alan has done this type of thing and he was as delighted as I was with the result. I am grateful to Hypergallery for helping to release this artwork and making such a unique item available to the dedicated Alan Parsons fan.” – Ioannis

“When Ioannis met me backstage at a show in NJ for me to sign the prints, I was quite pleased with the end result. The prints were just beautiful.” – Alan Parsons

The autographed prints will be available to purchase at a special price of $400. PURCHASE @ THIS LOCATION

About Ioannis:
Revered by some of the biggest and best-known bands in the industry, Ioannis has created over 175 dazzling record covers for such musical artists as Deep Purple, Allman Brothers, Uriah Heep, Styx, Blue Oyster Cult, Dream Theater, King Crimson, Bob Weir, Starship, Yngwie Malmsteen, Biohazard, Sepultura, Lynyrd Skynyrd, Fates Warning, Quiet Riot, Dokken, Johnny Winter, Extreme, UFO, Bon Jovi, The Tubes, Eddie Money, Jon Anderson, Saga, David Minasian and many others. He has made an indelible mark on the cultural landscape of the USA, creating imagery synonymous with the metal and rock genres in which he excels.

 

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Entertainment Music New Releases Top Stories

Alan Parsons on Family Guy Season 18 Episode 1 – 2019

Alan Parsons: I am happy to announce that I will be making a guest appearance in the new season premiere, Episode 1 of Family Guy, airing September 29th on Fox.

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Behind the Album Cool Chitz Listen Music Top Stories

Alan Parsons Interview, “Pink Floyd was always experimenting and pushing engineers”

Guitar World: Alan Parsons looks back at his storied career – including that ill-fated Pink Floyd Household Objects album that just wasn’t to be…

An excerpt from the interview can be found below. You can read the entire interview @ this location.

You worked with The Beatles on their last two albums, Let It Be and Abbey Road. At the time, did you notice any evidence or tension that the band was going to dissolve? – Steve Topp

Alan Parsons:  “I remember seeing some pretty long faces during the Let It Be sessions. But I think a much-needed encouragement to their relationship came with the rooftop session and the excitement it generated.”

Imagine yourself engineering The Dark Side of the Moon with the same band members and crew, but in 2019. With all your experience, is there anything you would do differently? – Tatyana Casino

Alan:   “I think it could’ve been done in a quarter of the time [laughs]. Just compiling the effects loop and getting all of the rhythmic sounds for Money took all day. You literally had to measure, with a ruler, the length of tape between each effect. If you did that on Pro Tools now, it would take 10 minutes.

“Pink Floyd was always experimenting and pushing engineers and the studio to its limits. We knew it was their best work to date, but I don’t think anyone knew we’d still be talking about it all these years later.”

Do you know what amps and gear David Gilmour used to record The Dark Side of the Moon? – Carlos Arzate

Alan:   “He played Hiwatt amps at the time and always a Strat. He also used an EMS effects unit called the Hi-Fli.”

After The Dark Side of the Moon, did you have another chance to work with Pink Floyd? – Lucas Carioli

Alan:   “We did do some work on an album that was affectionately known as Household Objects. The idea was that we could make a record without using a single musical instrument. Just make sounds and notes with common household objects. After weeks of painstaking recording we decided it was going to take too long, so we abandoned the project.”

What sets a great producer apart from a mediocre producer? – Nick Simms

Alan:   “I think what sets them apart is the ability to communicate and have respect for the artist. I learned that from George Martin when he was universally respected by all the acts he worked with. It’s all about speaking the same language and understanding each other. Of course, there’s the musicality and engineering talent, but the ability to get along with your artist is extremely important.”

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Music

Roger Waters Upset with Alan Parsons Over Israeli Concert

Legendary Pink Floyd co-founder Roger Waters has initiated a public debate with Alan Parsons, who engineered the classic Dark Side of the Moon album. The squabble was initiated by Waters, who wrote parsons several weeks ago asking him to cancel a concert scheduled for February 10th in Tel Aviv, Israel. Waters spoke of the Israeli occupation of Palestinian lands, and likened the plight of the Palestinians to the anti-apartheid movement in South Africa in the 80s. Parsons politely declined the request, saying he appreciated Waters’ passion but saw the issue as a political one. Parsons wrote that “everyone – no matter where they reside, what religion they follow or what ideology they aspire to – deserves to hear (my music) if they so choose. Music knows no borders, and neither do I.” Parsons also asked Waters to keep the matter private, yet Waters published his first letter, and a subsequent reply, on his Facebook page. Parsons then published his response on his Facebook page. Check out the dialogue between the two music legends below.

First Letter from Waters to Parsons

Dear Alan,

It’s been 40 years since we worked on Dark Side of the Moon together. If you recall, I was the pimply bass player, you were the tall engineer. Congratulations on your many successes since then.

The reason for my letter today is that I see you have plans to do a gig in Tel Aviv in February. I am writing to ask you to reconsider those plans. I know you to be a talented and thoughtful man, so I assume you know of the plight of the Palestinians and that there is a growing nonviolent Boycott, Divestment, and Sanctions (BDS) movement protesting against the abusive policies of the Israeli government.

The BDS movement was started by Palestinian Civil Society in 2005 as a call to people of conscience to join their freedom struggle. Since then, the BDS torch has been passed from mouth to mouth, hand to hand and heart to heart and now is spread across the globe from Alaska to Tierra del Fuego, from Lapland to South Africa – and inside Israel itself. In the last year in particular it has become a moral force to be reckoned with and has provided Palestinians and their allies with a means of resisting nonviolently against colonization, discrimination, and ongoing dispossession.

BDS is a means to end the 47-year occupation of Palestinian land in the West Bank, Gaza Strip, and East Jerusalem and achieve equal basic human and political rights for all the people – Jewish and Palestinian – inside of Israel and the occupied territories.

While I know you don’t want to disappoint your fans by canceling this gig, you would be sending a powerful message to them and the world by doing so. As with Sun City, more and more artists are standing up to say they will not perform in Israel until such time as their occupation ends and equal rights are extended to Palestinians.

I ask that you consider joining me, and hundreds of thousands of others, by lending your voice to a conversation that rejects violence, embraces international law, and helps the global community pursue a just peace for all the people of the Holy Land.

Advancing a better future for Palestinians and Israelis is a matter of fundamental importance to us all. As John Lennon observed, “Life is very short and there’s no time for fussing and fighting my friend”. I would be happy to discuss all this with you further. More food for thought, here is the public statement Nick Mason and I issued last May referencing the similarities of this campaign to the Sun City boycott in South Africa.

Your colleague,
Roger Waters

Facebook Post from Parsons with Reply

To whom it may concern – for general posting to Facebook and other social media sites as appropriate:
Roger Waters honoured my request not to publish my reply to his first letter to me, but he failed to comply with my clearly stated desire that the whole matter of his ‘problem’ with my concert in Israel should remain private between the two of us. He has now pressed his case in two open letters on his Facebook page without any published defence from me. So in the circumstances, I have decided to make my (originally personal) reply to him public – see below. I will be making no further comment on this matter and thank all our Israeli fans in advance for their loyalty, support, and for attending our show in Tel Aviv.

Alan Parsons

==
Dear Roger,

I appreciate your note and your passion.
However, this is a political matter and I am simply an artist. I create music, that is my raison d’être. Everyone – no matter where they reside, what religion they follow, or what ideology they aspire to – deserves to hear it if they so choose. Music knows no borders, and neither do I. Your colleague,
Alan

Second Letter from Waters to Parsons

Dear Alan,

I will honor your request not to publish your response to my letter, but note that your argument is similar to that of the few other musicians who have crossed the picket line to play in Israel.

I regret that you have decided, for now at least, to stand with the minority of artists and academics who support the policies of the current Israeli government.

But, by all means, let us continue our dialogue.

I, for my part, will be open and clear. My own decision to join BDS was formed by my experience in front of the Apartheid Wall that this and previous Israeli governments have built, and continue to build. Hopefully, should you visit the occupied territories, you will have a similar moment of insight.

I see from your bio that you played in Israel in 2010, a year after Operation Cast Lead, when you might have been forgiven for not knowing any better. Now, it is a year after Operation Protective Edge, when the al-Kilani family (see photograph accompanying this post) were killed. If we didn’t know before, we do now. If you go through with your visit maybe you will be as shaken as I was back in 2006/7.

By ignoring the boycott, you are turning your back on a beleaguered people who are desperately in need of your support. Even at this late hour, please reconsider.

Your colleague,
Roger Waters

PS: I attach for your consideration two documents. The first is a Newsweek article about a report commissioned by the Israeli branch of Physicians for Human Rights. It details Israel’s human rights violations (using human shields, etc.) during Israel’s bombing campaign against Gaza last Summer. Approximately 2,200 Palestinians, including over 500 children, were killed and more than 100,000 people were displaced from their homes.

http://www.newsweek.com/report-accuses-israel-human-rights-abuses-during-summer-war-301275

Secondly, here is a report from the Israeli human rights group B’Tselem, which investigated 70 incidents in Gaza. In each one, at least three people were killed inside their home.

Black Flag – The legal and moral implications of the policy of attacking residential buildings in the Gaza Strip, summer 2014

http://www.btselem.org/publications/summaries/201501_black_flag

*Note: To view the documents Waters is referring to, simply copy and past the links into your browser.